Heavenly Kingdom of Heaven director's cut
Jul. 10th, 2006 03:28 pmAfter POTC2, I felt the need to have an Orlando fix, so I ended up rewatching the Director's Cut of Kingdom of Heaven. Now, I liked TE, but every time I watch this cut, I get annoyed with the studio for mucking with things.
In the DC, it actually becomes my favorite period epic. (Also the only one that talks about a glorious defeat, which is why I love it, but that's another matter).
Let me count the ways in which the DC is superior:
1. Pacing. The TE cut felt a bit too galloping for me. The pace really was much too fast and you got caleidoscopic glimpses of things you wanted to know more of. Not any more. The editing and pacing in this one is perfect. It's still a complex evolving world you get a glimpse of, and will never know everything about, but this time it feels it has just a real balance between the complexity of the real and the meatiness of the story. The pace is perfect. It's never too slow, but it doesn't run at breakneck speed either, any more.
2. Sybilla. All the characters benefit from the expanded time, but no one as much as Sybilla, all of whose storyline it seems was cut away in the TE. Now she isn't just a bit of arm-candy for Balian, but someone who is a lot more complicated, dark and conflicted than that. She comes across as a real person, and her own story with her son (a historical character) not only gives her realness, and brings forth interesting parallels with Balian's first wife, but also gives a logical reason for her feelings of guilt and grief in the second half. She is a real person now, and quite an interesting one/
3. Balian. He also benefits from the expanded stuff immensely. For one, we learn a lot more about his engineering and battle background, so all the stuff from the siege doesn't come from nowhere. And we just learn more about him in general. He is still an extremely self-contained person, who thinks more than he acts, heroic in a quiet way (and another thing I love about KoH. When's the last time a character like that was the protagonist of an epic), but I feel I know him much better. In fact, just as well as I should. I had no problem with him being a bit of a cypher in TE, but seeing DC, I like this so much better.
4. And because both Balian and Sybilla are fleshed out more, their love story is fleshed out as well. In fact, instead of 'they are hot, why not' thing, it really seems like a believable if understated relationship. It does feel like a love story.
5. Empahsis on screwed up families. All those people in France are interconnected into various FUBAR families, there is more on Baldwin's family and its dysfunction. I find it interesting. And more ponderings on what faith means. That's even more interesting.
6. On a more shallow note, the Guy and Balian sword fight is great. Orlando was born to be in epics wielding a sword. Seriously.
And if none of this is enough to convince you to check this out, than I will mention that DC has a LOT more of semi-naked Orlando in it than did the TE.
In the DC, it actually becomes my favorite period epic. (Also the only one that talks about a glorious defeat, which is why I love it, but that's another matter).
Let me count the ways in which the DC is superior:
1. Pacing. The TE cut felt a bit too galloping for me. The pace really was much too fast and you got caleidoscopic glimpses of things you wanted to know more of. Not any more. The editing and pacing in this one is perfect. It's still a complex evolving world you get a glimpse of, and will never know everything about, but this time it feels it has just a real balance between the complexity of the real and the meatiness of the story. The pace is perfect. It's never too slow, but it doesn't run at breakneck speed either, any more.
2. Sybilla. All the characters benefit from the expanded time, but no one as much as Sybilla, all of whose storyline it seems was cut away in the TE. Now she isn't just a bit of arm-candy for Balian, but someone who is a lot more complicated, dark and conflicted than that. She comes across as a real person, and her own story with her son (a historical character) not only gives her realness, and brings forth interesting parallels with Balian's first wife, but also gives a logical reason for her feelings of guilt and grief in the second half. She is a real person now, and quite an interesting one/
3. Balian. He also benefits from the expanded stuff immensely. For one, we learn a lot more about his engineering and battle background, so all the stuff from the siege doesn't come from nowhere. And we just learn more about him in general. He is still an extremely self-contained person, who thinks more than he acts, heroic in a quiet way (and another thing I love about KoH. When's the last time a character like that was the protagonist of an epic), but I feel I know him much better. In fact, just as well as I should. I had no problem with him being a bit of a cypher in TE, but seeing DC, I like this so much better.
4. And because both Balian and Sybilla are fleshed out more, their love story is fleshed out as well. In fact, instead of 'they are hot, why not' thing, it really seems like a believable if understated relationship. It does feel like a love story.
5. Empahsis on screwed up families. All those people in France are interconnected into various FUBAR families, there is more on Baldwin's family and its dysfunction. I find it interesting. And more ponderings on what faith means. That's even more interesting.
6. On a more shallow note, the Guy and Balian sword fight is great. Orlando was born to be in epics wielding a sword. Seriously.
And if none of this is enough to convince you to check this out, than I will mention that DC has a LOT more of semi-naked Orlando in it than did the TE.