not stitching
Feb. 28th, 2026 12:53 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
thistleingreyRandom art: Svetlana Gordon's Tiffany slipover, as in the lamps, I think. I have no plans to knit it! but it's pretty.
thistleingrey
your periodic podcast rec request post
Feb. 26th, 2026 01:33 pmlirazelI do a lot of work where my hands are occupied but my mind is not (hello, rehousing!!!) and may main exercise is walking so I listen to a lot of podcasts, and I am always looking for more.
My favorite ongoing podcasts are In Bed With the Right, Know Your Enemy, If Books Could Kill, Maintenance Phase, Panic World, and A Bit Fruity. These are the shows I listen to every episode of and (most of them) support on Patreon so I get extra episodes. Oh, and On the Nose from Jewish Currents.
There are a number I also like but don't listen to every episode of, just dipping in and out as they interest me. These include Behind the Bastards, Hoax!, HyperFixed, Search Engine, Straight White American Jesus, Culture Study, Decoder Ring, American Hysteria, Strongwilled, 5-4, and The Dream.
Then there are my classic favorites that I haven't listened to in a while but loved madly: You Must Remember This, You're Wrong About, and You Are Good.
One limited run I listened to lately was What Happened in Nashville, about the unregulated fertility treatment industry through the lens of a big scandal that happened in my hometown and found it interesting.
Things I like in a podcast:
+ Culture and/or history and/or current events through a leftist/feminist lens. It's really important to me that these are serious thinkers or deeply insightful people, even if what they're talking about is lighter fare
+ People who take culture and internet culture seriously but want to deeply critique it
+ Stuff about religion--not in the sense of being religious but in the sense of talking about how religion works in the world
+ Stuff that is well-researched
+ Stuff about moral panics
+ I tend to be drawn to podcasts that are created by people who are first and foremost either writers/journalists or scholars (with the exception of A Bit Fruity, all my favorite current podcasts are created by people in those categories)
+ Anything Michael Hobbes is involved with lol
+ Oh and my guilty pleasure is anything about cults (other people listen to true crime stuff, I listen to cult stuff)
Things I don't like in a podcast:
+ Humor podcasts (a lot of these people are very funny, but none of these podcasts are comedy podcasts)
+ Generic culture/pop culture stuff (by which I mean the sort of overviews of just what's going on in the world of pop culture)
+ Fiction (I'm sorry, but Welcome to Night Vale is the only one that ever truly worked for me)
+ Pure news podcasts
+ Interview podcasts that focus on celebs
+ Honestly anything about celebrities, I just don't care
+ Self-help stuff
My favorite ongoing podcasts are In Bed With the Right, Know Your Enemy, If Books Could Kill, Maintenance Phase, Panic World, and A Bit Fruity. These are the shows I listen to every episode of and (most of them) support on Patreon so I get extra episodes. Oh, and On the Nose from Jewish Currents.
There are a number I also like but don't listen to every episode of, just dipping in and out as they interest me. These include Behind the Bastards, Hoax!, HyperFixed, Search Engine, Straight White American Jesus, Culture Study, Decoder Ring, American Hysteria, Strongwilled, 5-4, and The Dream.
Then there are my classic favorites that I haven't listened to in a while but loved madly: You Must Remember This, You're Wrong About, and You Are Good.
One limited run I listened to lately was What Happened in Nashville, about the unregulated fertility treatment industry through the lens of a big scandal that happened in my hometown and found it interesting.
Things I like in a podcast:
+ Culture and/or history and/or current events through a leftist/feminist lens. It's really important to me that these are serious thinkers or deeply insightful people, even if what they're talking about is lighter fare
+ People who take culture and internet culture seriously but want to deeply critique it
+ Stuff about religion--not in the sense of being religious but in the sense of talking about how religion works in the world
+ Stuff that is well-researched
+ Stuff about moral panics
+ I tend to be drawn to podcasts that are created by people who are first and foremost either writers/journalists or scholars (with the exception of A Bit Fruity, all my favorite current podcasts are created by people in those categories)
+ Anything Michael Hobbes is involved with lol
+ Oh and my guilty pleasure is anything about cults (other people listen to true crime stuff, I listen to cult stuff)
Things I don't like in a podcast:
+ Humor podcasts (a lot of these people are very funny, but none of these podcasts are comedy podcasts)
+ Generic culture/pop culture stuff (by which I mean the sort of overviews of just what's going on in the world of pop culture)
+ Fiction (I'm sorry, but Welcome to Night Vale is the only one that ever truly worked for me)
+ Pure news podcasts
+ Interview podcasts that focus on celebs
+ Honestly anything about celebrities, I just don't care
+ Self-help stuff
fic: take whatever you need to take and leave the rest
Feb. 24th, 2026 10:52 amlirazelFic: take whatever you need to take and leave the rest
Chapters: 1/1
Fandom: The Pitt (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Melissa “Mel” King & Frank Langdon, Becca King & Melissa “Mel” King, Becca King & Frank Langdon
Characters: Frank Langdon, Melissa “Mel” King, Becca King, Michael “Robby” Robinavitch, Baran Al-Hashimi
Additional Tags: Alternate Universe - Canon Divergence, well just slightly, set during season 2, branches off after episode 5, who is mel going to trust to treat her sister?, do you really need to ask?, frank needs someone to trust him, mel needs someone to reassure her, good thing they’re in the same space again
Summary:
“I’ll look her over,” Robby says.
“Um, thank you,” Mel says. “But, um, can Dr. Langdon do it?”
Frank isn’t sure which is more gratifying: Mel’s request or the expression on Robby’s face.
“Oh, we want Ms. King to have the very best care,” Robby says, voice a bit tight behind the jocularity. “She’s family, after all. I think I can spare a few minutes to make sure she’s okay.”
Fuck him. Frank’s hand flexes just as Mel’s jaw tightens. Becca’s eyes are darting around anxiously and she’s flapping both of her hands now.
“I appreciate that,” Mel says. “But I’d like Dr. Langdon to be the one to treat her.”
Her voice is steely in a way that Frank hasn’t heard from her before, her eyes fierce as she holds Robby’s gaze. A little shudder passes through Frank and he sucks in a deep breath even as he fights to keep his face neutral.
Chapters: 1/1
Fandom: The Pitt (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Melissa “Mel” King & Frank Langdon, Becca King & Melissa “Mel” King, Becca King & Frank Langdon
Characters: Frank Langdon, Melissa “Mel” King, Becca King, Michael “Robby” Robinavitch, Baran Al-Hashimi
Additional Tags: Alternate Universe - Canon Divergence, well just slightly, set during season 2, branches off after episode 5, who is mel going to trust to treat her sister?, do you really need to ask?, frank needs someone to trust him, mel needs someone to reassure her, good thing they’re in the same space again
Summary:
“I’ll look her over,” Robby says.
“Um, thank you,” Mel says. “But, um, can Dr. Langdon do it?”
Frank isn’t sure which is more gratifying: Mel’s request or the expression on Robby’s face.
“Oh, we want Ms. King to have the very best care,” Robby says, voice a bit tight behind the jocularity. “She’s family, after all. I think I can spare a few minutes to make sure she’s okay.”
Fuck him. Frank’s hand flexes just as Mel’s jaw tightens. Becca’s eyes are darting around anxiously and she’s flapping both of her hands now.
“I appreciate that,” Mel says. “But I’d like Dr. Langdon to be the one to treat her.”
Her voice is steely in a way that Frank hasn’t heard from her before, her eyes fierce as she holds Robby’s gaze. A little shudder passes through Frank and he sucks in a deep breath even as he fights to keep his face neutral.
(no subject)
Feb. 24th, 2026 10:45 amlirazelSo yeah, I finished Stone Butch Blues last week and I enjoyed it more than I thought I would. I had braced myself for endless suffering, and there was so much suffering, but I am still so glad I read it.
There was almost nothing in it I related to (except being very pro-union lol) and much that I found perplexing (mostly the sex stuff--no shock there--and some of the ideas about gender that are quite dated but important), but I also learned a ton. I struggled with the first few chapters because I found the prose too...simple? That's not the right word. It just wasn't stylistically what I enjoy. Too many short sentences in a row. But I came to appreciate it as a way of evoking the voice of a working-class, (formally) uneducated woman who is struggling to find her place in the world.
The episodic nature of the book creates its own rhythm; it's essentially a book about a woman finding community and/or stability, then losing it (often in incredibly violent circumstances), sinking into depression, then fighting for it again, repeat repeat repeat. Jess and her friends are living their lives in a constant state of danger, and they know it. Most of the violence comes from the state (the police are the truest villains in the book) or through the powers of capital. It's a communist book, though it's not as overtly communist as I kind of expected being familiar with Leslie's politics and life. I thought it did a great job of handling the political stuff. I was particularly moved by the queerplatonic relationship between Jess and her neighbor, who is a transwoman, and I think it's significant that after a book about Jess trying to find a sexual/romantic partnership that works for her, the (hopeful) ending is found in this friendship and work in labor organizing. Community is complicated and messy but absolutely vital and the lines between romantic/sexual relationships, friendships, solidarity partnerships, etc. are blurred in ways that I think is really realistic.
I appreciated talking about this book in community with a bunch of queer women/nonbinary folks, and I was fascinated by the very different ways that we read Jess's gender identity in particular. Jess didn't fit into the categories offered by the time in which she was living (late 50s through late 70s), but even though we have a lot more categories and labels now, I don't think she really fits into any of them either, which I really appreciated.
Shoutout to the two scenes that made me cry:
So yes, I have now read an important queer novel, and I'm glad I did.
There was almost nothing in it I related to (except being very pro-union lol) and much that I found perplexing (mostly the sex stuff--no shock there--and some of the ideas about gender that are quite dated but important), but I also learned a ton. I struggled with the first few chapters because I found the prose too...simple? That's not the right word. It just wasn't stylistically what I enjoy. Too many short sentences in a row. But I came to appreciate it as a way of evoking the voice of a working-class, (formally) uneducated woman who is struggling to find her place in the world.
The episodic nature of the book creates its own rhythm; it's essentially a book about a woman finding community and/or stability, then losing it (often in incredibly violent circumstances), sinking into depression, then fighting for it again, repeat repeat repeat. Jess and her friends are living their lives in a constant state of danger, and they know it. Most of the violence comes from the state (the police are the truest villains in the book) or through the powers of capital. It's a communist book, though it's not as overtly communist as I kind of expected being familiar with Leslie's politics and life. I thought it did a great job of handling the political stuff. I was particularly moved by the queerplatonic relationship between Jess and her neighbor, who is a transwoman, and I think it's significant that after a book about Jess trying to find a sexual/romantic partnership that works for her, the (hopeful) ending is found in this friendship and work in labor organizing. Community is complicated and messy but absolutely vital and the lines between romantic/sexual relationships, friendships, solidarity partnerships, etc. are blurred in ways that I think is really realistic.
I appreciated talking about this book in community with a bunch of queer women/nonbinary folks, and I was fascinated by the very different ways that we read Jess's gender identity in particular. Jess didn't fit into the categories offered by the time in which she was living (late 50s through late 70s), but even though we have a lot more categories and labels now, I don't think she really fits into any of them either, which I really appreciated.
Shoutout to the two scenes that made me cry:
the fire where Jess loses everything and the scene where she goes to the institution to visit the older butch who had inspired her as a kid. That last one TORE ME UP
.So yes, I have now read an important queer novel, and I'm glad I did.
(no subject)
Feb. 17th, 2026 09:10 amlirazelThis is totally random, but I've had something on my mind lately and I realized that the people who could most likely answer my questions are...on my flist!
Some context: when I was still a Christian, I spent a lot of time appreciating the tradition of religious sisters and how that was a lifestyle it was possible to pursue. It just really made me feel good to know that there was this long tradition of women who chose to pursue faith and/or education instead of wifehood/motherhood/family/sex. You could step outside of that and you had a society-sanctioned option to become a nun, spend your life in a community of other women, and sometimes pursue an education or the arts. (Obviously I don't want to idealize life in a religious community, which could be abusive or poverty-stricken as the case may be. But so could marriage!)
Judaism is SO different and more family-focused (for understandable reasons), so I've kind of been missing that, especially since I've been thinking a lot about female mystics lately for Ann Lee reasons (though I am NOT mystic in any way at all and in fact am pretty anti-mystic in both my personality and experience, I find it endlessly fascinating). Were there different points or places in Jewish history, say, pre-19th century, in which women could pursue a different kind of life? Or, even if they married, is there a mystic tradition among Jewish women? I have the vaguest ideas about Jewish mysticism, but I only know it in the context of men.
Or is there something similar in Islam? I know there are Buddhist nuns, but I know little of that either.
I've been thinking a lot about the ways that female mystics in Christianity are both honored and seen as operating within a well-established tradition but also always dangerous and threatening to the power structure and the ways in which they kind of teeter between something that the masculine authorities approve of because they can use it (mostly to prove the power of God) and want to tamp down on because it threatens them, and how the women themselves are just concerned about their relationship with God and sometimes other women, and how complicated all that is. It's just really rich, and I've sort of wanted to write some speculative fiction inspired by it, but I want to draw from wider sources than just Christian ones and I don't know where to start!
I want to be clear that I'm looking for women operating within a patriarchal religion. Obviously there have been women religious figures throughout history--priestesses, shamans, etc.--who wielded great power, both religious and otherwise. Lots of that up to the present day in indigenous religions! And they are super interesting! I want to learn more about them at some point! But right now I'm looking for women who are inhabiting that weird place where them devoting their life to a religion with a male power structure is sanctioned by the larger society, but what they do with that might not be. And women whose experience of that religion is distinctly more mystical/untamed/transcendent than most people's. Give me some women who are married to the divine!
Some context: when I was still a Christian, I spent a lot of time appreciating the tradition of religious sisters and how that was a lifestyle it was possible to pursue. It just really made me feel good to know that there was this long tradition of women who chose to pursue faith and/or education instead of wifehood/motherhood/family/sex. You could step outside of that and you had a society-sanctioned option to become a nun, spend your life in a community of other women, and sometimes pursue an education or the arts. (Obviously I don't want to idealize life in a religious community, which could be abusive or poverty-stricken as the case may be. But so could marriage!)
Judaism is SO different and more family-focused (for understandable reasons), so I've kind of been missing that, especially since I've been thinking a lot about female mystics lately for Ann Lee reasons (though I am NOT mystic in any way at all and in fact am pretty anti-mystic in both my personality and experience, I find it endlessly fascinating). Were there different points or places in Jewish history, say, pre-19th century, in which women could pursue a different kind of life? Or, even if they married, is there a mystic tradition among Jewish women? I have the vaguest ideas about Jewish mysticism, but I only know it in the context of men.
Or is there something similar in Islam? I know there are Buddhist nuns, but I know little of that either.
I've been thinking a lot about the ways that female mystics in Christianity are both honored and seen as operating within a well-established tradition but also always dangerous and threatening to the power structure and the ways in which they kind of teeter between something that the masculine authorities approve of because they can use it (mostly to prove the power of God) and want to tamp down on because it threatens them, and how the women themselves are just concerned about their relationship with God and sometimes other women, and how complicated all that is. It's just really rich, and I've sort of wanted to write some speculative fiction inspired by it, but I want to draw from wider sources than just Christian ones and I don't know where to start!
I want to be clear that I'm looking for women operating within a patriarchal religion. Obviously there have been women religious figures throughout history--priestesses, shamans, etc.--who wielded great power, both religious and otherwise. Lots of that up to the present day in indigenous religions! And they are super interesting! I want to learn more about them at some point! But right now I'm looking for women who are inhabiting that weird place where them devoting their life to a religion with a male power structure is sanctioned by the larger society, but what they do with that might not be. And women whose experience of that religion is distinctly more mystical/untamed/transcendent than most people's. Give me some women who are married to the divine!