RahXephon: a beautiful fevered dream
Mar. 22nd, 2006 04:32 pmOn
m_jade8's rec, I started watching RahXephon (as I mentioned earlier). I am four and a half episodes in.
It's part Matrix (the world of the protagonist is an illusion, controlled by alien entities and he has to free himself to see the truth), part Silmarillion (music as means of creation and power), and part Neon Genesis Evangelion (giant fighting robot machines). And it works perfectly.
Synopsis (from a webcite): Kamina Ayato lives an ordinary life. He goes to school. He lives with his mother. He has schoolmates. But all of that changes one day when massive machines, known as the Dolem, attack the city of Tokyo with their destructive vocal powers. Caught up in the chaos, Ayato meets a mysterious girl named Mishima Reika. She leads him to the sanctuary, resting place of the RahXephon, a giant humanoid being with powers to counter those of the Dolem. Upon its awakening, Ayato finds himself synchronising with the machine and it takes him to the world beyond Tokyo. It seems that Tokyo, more precisely called Tokyo Jupiter, has been cut off from the rest of the world. Those living within the boundaries of Tokyo Jupiter believe that the rest of the world has been decimated, when in fact they live in a world controlled by the Mu (alien, interdimentional invaders). Now, facing the truth, Ayato must come to terms with his new reality, for he is a central element in the fate of mankind.
It's trippy, it's beautiful, it's unusual. And I Love It.
Why?
First off, the opening credits/song has now displaced Fushigi Yuugi's credits and song as my favorite. Yeah, shallow, whatever.
Secondly, the animation is beautiful. While I can enjoy an anime despite bad animation if I like the story (I ended up liking HYD even though the animation in it made me want to poke my eyes out with a fork), but how much better when the style is so fluidly beautiful. And have I mentioned the conceptual design. Just look at RahXephon's chamber.
Also, I like the concept of music as creation. The whole plot and set-up of this, which is part dystopia, part tradtional scifi, part musing on nature of reality and part (of course) boys battling in giant robots. And it maintains this amazing balance between keeping me confused enough to want to understand more but not so much that I'd just go WTF?
But most important are the characters: I love Ayato, the protagonist, the quiet, composed 17 year old. He isn't too noble, he isn't screechy or hyper or immature or any of the other qualities that make me want to glomp protagonists. He is actually very cool and he is stuck in a world that is beyond anything he'd imagined, and his wonder and hurt and wounded steeliness just get me. And I love Haruka. In this story, she is his Morpheus, freeing him from the sphere and showing the reality beyond. She is also rather older than him (in her mid 20s?) but I am getting a shippy vibe and if that happens that would be truly interesting. I think this makes all the difference for me between this and something like Last Exile, which had an interesting concept and beautiful artwork but where the protagonists made me want to sleep.
Some gorgeous wallpaper:

Ayato:


Flashback:

More cool wallpaper:

My favorite image:

Haruka:

The otherwordly design:

So young!

Look on the backgrounds in those shots:


Reika:

Beautiful:

Ayato and Reika:

The chamber where RahXephon is:

I love this wallpaper:

One of the Dolems (mixture of 'DoReMi' and 'Golem'):

The cast:

One of the credit stills (Ayato and Haruka on a bicycle):

More Ayato:

In close up:

More Reika:

Pretty yellows:

It's part Matrix (the world of the protagonist is an illusion, controlled by alien entities and he has to free himself to see the truth), part Silmarillion (music as means of creation and power), and part Neon Genesis Evangelion (giant fighting robot machines). And it works perfectly.
Synopsis (from a webcite): Kamina Ayato lives an ordinary life. He goes to school. He lives with his mother. He has schoolmates. But all of that changes one day when massive machines, known as the Dolem, attack the city of Tokyo with their destructive vocal powers. Caught up in the chaos, Ayato meets a mysterious girl named Mishima Reika. She leads him to the sanctuary, resting place of the RahXephon, a giant humanoid being with powers to counter those of the Dolem. Upon its awakening, Ayato finds himself synchronising with the machine and it takes him to the world beyond Tokyo. It seems that Tokyo, more precisely called Tokyo Jupiter, has been cut off from the rest of the world. Those living within the boundaries of Tokyo Jupiter believe that the rest of the world has been decimated, when in fact they live in a world controlled by the Mu (alien, interdimentional invaders). Now, facing the truth, Ayato must come to terms with his new reality, for he is a central element in the fate of mankind.
It's trippy, it's beautiful, it's unusual. And I Love It.
Why?
First off, the opening credits/song has now displaced Fushigi Yuugi's credits and song as my favorite. Yeah, shallow, whatever.
Secondly, the animation is beautiful. While I can enjoy an anime despite bad animation if I like the story (I ended up liking HYD even though the animation in it made me want to poke my eyes out with a fork), but how much better when the style is so fluidly beautiful. And have I mentioned the conceptual design. Just look at RahXephon's chamber.
Also, I like the concept of music as creation. The whole plot and set-up of this, which is part dystopia, part tradtional scifi, part musing on nature of reality and part (of course) boys battling in giant robots. And it maintains this amazing balance between keeping me confused enough to want to understand more but not so much that I'd just go WTF?
But most important are the characters: I love Ayato, the protagonist, the quiet, composed 17 year old. He isn't too noble, he isn't screechy or hyper or immature or any of the other qualities that make me want to glomp protagonists. He is actually very cool and he is stuck in a world that is beyond anything he'd imagined, and his wonder and hurt and wounded steeliness just get me. And I love Haruka. In this story, she is his Morpheus, freeing him from the sphere and showing the reality beyond. She is also rather older than him (in her mid 20s?) but I am getting a shippy vibe and if that happens that would be truly interesting. I think this makes all the difference for me between this and something like Last Exile, which had an interesting concept and beautiful artwork but where the protagonists made me want to sleep.
Some gorgeous wallpaper:

Ayato:


Flashback:

More cool wallpaper:

My favorite image:

Haruka:

The otherwordly design:

So young!

Look on the backgrounds in those shots:


Reika:

Beautiful:

Ayato and Reika:

The chamber where RahXephon is:

I love this wallpaper:

One of the Dolems (mixture of 'DoReMi' and 'Golem'):

The cast:

One of the credit stills (Ayato and Haruka on a bicycle):

More Ayato:

In close up:

More Reika:

Pretty yellows:

no subject
Date: 2006-03-22 09:40 pm (UTC)no subject
Date: 2006-03-22 09:44 pm (UTC)Apparently this has a lot of Mayan influences in the story and the art which I find interesting in and of itself. It has this crazy vividness and loose coherency of a dream.
no subject
Date: 2006-03-22 09:44 pm (UTC)no subject
Date: 2006-03-22 09:50 pm (UTC)Which is good, as there only so many ways you can make 'guys fight in giant robots' exciting if that's all there is.
I admit I am a sucker for animation this beautiful. I'd watch almost anything if it looks like this.
There's a whole "alienation" theme to a lot of anime, making the theme literal by either having a protagonist BE an alien (either with ability or power) or control an alien (mecha).
I noticed this. I find it interesting and I think it ties to the fact that a lot of protagonists are teenagers. Of course Ayato fits into this doubly, not only because he can control RahXephon, but also because he is an outsider in this 'real' Earth world and because he is (at least potentially) Mu himself, as he can control a Dolem (which is what Mu do) and his mother has blue blood (a Mu characteristic) herself.
Of course, even something like Rurouni Kenshin, which has no mechas, has its protagonist isolated by his past and his skills, and reconnecting with the world is one of the goals and issues of the story.
no subject
Date: 2006-03-22 10:02 pm (UTC)As does Gram in Mars Daybreak as he has the innate talent to control an RB and is also homeless, which is why he finds a place for himself on the Aurora since he not only finds a home, but another person who can control an RB in Yagami.
Anime has a talent for getting across the whole terror and isolation of growing up thing in some of the most fantastic ways possible (in DN Angel Daisuke literally turns into two people, in Full Metal Panic Sousuke is a teenage covert operative bodyguard posing as a highschool to protect a girl, in Saiyuki none of the guys ever fit in anywhere because they're all part demon). It's the exact same disassociative complex that Buffy has to work with. Slayer= how any highschool student feels.
no subject
Date: 2006-03-22 10:07 pm (UTC)Somehow it doesn't come across as overblown or silly either, when done well. And you are right, I never thought about it, but Buffy really has more and more of an anime sensibility the more I think about it.
no subject
Date: 2006-03-22 10:17 pm (UTC)Mars Daybreak is one of the best pure adventure series I've watched in a long time. It's sort of a cross between Seaquest and Star Trek. Just a fun series to watch.
Anime does a lot of taking the figurative and making it literal (Vandread does this BRILLIANTLY with the battle of the sexes and Generator Gawl also does it with tampering with science). Somehow, that seems to work better and more directly than beating all around it in a series that would be considered "reality". That's why I've always loved fantasy. It has the ability to lay out all the issues without it seeming weird.
no subject
Date: 2006-03-22 10:23 pm (UTC)Heee. For some reason I am imagining 80s haircuts now! :P
I found out one of his favorite influences was Horatio Hornblower
I think FMP has jumped the queue.
That's why I've always loved fantasy. It has the ability to lay out all the issues without it seeming weird.
I've always liked more realistic fantasy (as well as scifi). "High" fantasy often makes me think that's what the authors were: high.
no subject
Date: 2006-03-22 10:40 pm (UTC)Re FMP: The HH influence is pretty evident in the whole military system. Sousuke is a total Horatio type, all military overachiever and terribly serious about his job. Of course he falls for the girl he's supposed to be protecting. Another good mix of adventure and humor.
Re high fantasy: The genre takes itself far too seriously a lot of the time. And while brilliant when well done, absolutely ludicrous when not.
no subject
Date: 2006-03-22 10:51 pm (UTC)Sousuke is a total Horatio type, all military overachiever and terribly serious about his job.
Awwww. Let's hope he has his stress medication then. I read the wikipedia aticle and it sounds interesting.
no subject
Date: 2006-03-22 11:05 pm (UTC)FMP also has Kurtz, a former model turned military sniper. He's sort of the anti-Sousuke, as he doesn't take his job very seriously.
no subject
Date: 2006-03-22 11:37 pm (UTC)HYD, by itself, could fill an entire catwalk. I am rather amused by the tendecy.
Is this Kurtz? Not bad :)
http://animeboys.aucifer.com/profiles/kurtz.jpg
no subject
Date: 2006-03-23 12:18 am (UTC)Yeah, that's Kurtz, in one of his dorkier poses.
http://www.geocities.com/impact_blue29/kurz3.jpg
no subject
Date: 2006-03-23 12:29 am (UTC)FMP is definitely next on my list. Is the FMP Second Raid worth getting? And some weird one that has a random collection of "f"s in its title and is supposed to be set in between the two?
no subject
Date: 2006-03-23 03:58 am (UTC)no subject
Date: 2006-03-23 06:14 pm (UTC)no subject
Date: 2006-03-22 10:06 pm (UTC)Wow, so wait, I was meaning to ask: Who's the openly gay couple in Peacemaker?
no subject
Date: 2006-03-22 10:10 pm (UTC)no subject
Date: 2006-03-22 11:42 pm (UTC)(Who's the vague couple, then?)
no subject
Date: 2006-03-22 11:52 pm (UTC)Who's the vague couple, then?
I don't think there are any. There are three couples in the show: Toshi/Souji, Tetsu/Saya (they are both kids so it's puppy love and it's adorable) and Yamanami/Akesato (who I also love as he is a VC and she is a ninja spy for the opposite side who falls in love with him).
I guess if you are really really demented you can argue that Toshi/Souji are just insanely touchy-feely, hold each other and really really caring about each other friends, but I can't imagine doing that with a straight face. Not after seeing that scene in that house, not with Toshi going all Tamahome.
Unless you mean Suzu/Yoshida, where it's pretty clear Suzu has a thing for Yoshida but there is no indication Yoshida cares for Suzu other than his ward?
no subject
Date: 2006-03-23 12:13 am (UTC)Also, if you are only four episodes in and you already like it, you have much greatness in store! :D
no subject
Date: 2006-03-23 12:28 am (UTC)no subject
Date: 2006-03-23 06:12 pm (UTC)SO glad you like it :D
no subject
Date: 2006-03-23 06:14 pm (UTC)Yes, I love it. It's not like anything else I've seen.