The River: silent movie feminism FTW!
Dec. 10th, 2008 11:20 am
The above image is very appropriate because last night I saw The River. Not the Jean Renoir masterpiece but a silent movie by that name that was lost and partially found and restored. It’s quite well-regarded and the critics all talk (rightly) about how unusual for a silent is its attitude and focus on physical intimacy, but what struck me much more is how feminist the movie is, arguably the most feminist silent I have seen!
TR has very few characters and develops only the two main ones with any degree of depth (thus creating a small, enclosed, self-sufficient world) so they are the ones I’ll talk about.

Character 1 is Allen John (Mr. Mousie, who watched a part of this with me said they might as well have named him Harold Richard. LOL) who is a young strapping* country guy who, it is made explicit, has never ever been with a woman in his life and probably hasn’t seen any of them up close either, not even his mother, who died when he was very small. His hobbies include making houseboats and swimming in the river naked, showing off his yummy physique.
*As he proudly tells the heroine when she comments on how big he is, he is 6’2”. I expected her to then make a comment on how big his hands are :P
Character 2 is Rosalie, the well-dressed, older, cynical mistress of a man who has just been arrested for murder of another man, out of jealousy (whether Rosalie only flirted with the corpse or had an affair with him is never made clear).
Rosalie is stuck all by herself out in this bumpkinsville middle-of-nowhere, and Allen John just might be a ticket to keep her amused.
( Lengthy lengthy write-up under cut )