This is beyond obsession
Jun. 10th, 2010 12:26 amIf they do not release The Myth on dvd with subs, I just might expire.
Am on ep 17 and if it wasn't for the need for sleep, I would not stop.
I love how it combines things my girly heart adores (the romance has kicked in and it's epic and amazing - the scene where she was ill with the plague and he came in to try to cure her - into the plague quarters - and was taking care of her - OMG when he was helping brush her hair and tried to lie to her people were not dying outside, and despite all the horror they were so happy - and then their eyes when they realized their time was up. The scene where the emperor comes in and he stands in the hallway with the servants (of course) barring his way and he watches the emperor walk into Yu Shu's room and then the doors close into his face and we only see his eyes - OMG) And interesting thoughts on compromise and decency and what to do if you are basically thrown into a theater of cruelty as the chief entertainment choice - Xiao Chuan’s stubborn refusal to give up his humanity, no matter what happens to him (and some truly horrible things do) is contrasted with Gao Yao’s slow slide into ambition and darkness and revenge – I admire Xiao Chuan but I understand Gao Yao.
The thing I love the most about Xiao Chuan is, actually, precisely his angry decency – he just refuses to bow down to the ‘realities’ of this world – I want to say he feels helpless anger but he does not – he always tries to do something. Even if he is afraid (most of the
time – he is not insane), his willingness to put his life on the line to protect someone is admirable but it’s more than that – you get the sense that he is also protecting his humanity. It would be safer to become a soldier (as offered), to leave that dying laborer instead of helping him walk and share rations, to not help fellow slaves escape, to run away during the tests (for the fellow slaves’ freedom – if he fights and wins, they are let go), to just turn turn turn away but he cannot. I love that about him – I love how quietly stubborn he is, how he insists on his principles, and I love that the world is cruel enough not to let him get away with them all the time (he says he will never kill but a day later he kills a man in battle to protect a comrade and the horror on his face just stays) but he still does not break, no matter how many psychic and physical wounds he acquires – instead the guilt and the issues spur him on (in a way, he lives as if he has to repay Susu’s gift in saving his life at the cost of her own – he spends his time paying forward the debt).
This drama gets incredibly dark (it really is a catalogue of horrors – what happens to both Xiao Chuan and Gao Yao – it does not have a rosy-eyed view of the past at all) but, oddly, it does not lose its funny spirit – Xiao Chuan’s tongue-in-cheekness is never fully repressed and occasionally pops out and there are other small moments.
This has become my favorite period drama. It is gorgeous, clever, passionate, complex. The love story is amazing but secondary to everything else, but it does not bother me. The characters are also complex and strong – both men and women. I really should meta about this but I am about to pass out, so for another day, perhaps.
Have a MV:
Am on ep 17 and if it wasn't for the need for sleep, I would not stop.
I love how it combines things my girly heart adores (the romance has kicked in and it's epic and amazing - the scene where she was ill with the plague and he came in to try to cure her - into the plague quarters - and was taking care of her - OMG when he was helping brush her hair and tried to lie to her people were not dying outside, and despite all the horror they were so happy - and then their eyes when they realized their time was up. The scene where the emperor comes in and he stands in the hallway with the servants (of course) barring his way and he watches the emperor walk into Yu Shu's room and then the doors close into his face and we only see his eyes - OMG) And interesting thoughts on compromise and decency and what to do if you are basically thrown into a theater of cruelty as the chief entertainment choice - Xiao Chuan’s stubborn refusal to give up his humanity, no matter what happens to him (and some truly horrible things do) is contrasted with Gao Yao’s slow slide into ambition and darkness and revenge – I admire Xiao Chuan but I understand Gao Yao.
The thing I love the most about Xiao Chuan is, actually, precisely his angry decency – he just refuses to bow down to the ‘realities’ of this world – I want to say he feels helpless anger but he does not – he always tries to do something. Even if he is afraid (most of the
time – he is not insane), his willingness to put his life on the line to protect someone is admirable but it’s more than that – you get the sense that he is also protecting his humanity. It would be safer to become a soldier (as offered), to leave that dying laborer instead of helping him walk and share rations, to not help fellow slaves escape, to run away during the tests (for the fellow slaves’ freedom – if he fights and wins, they are let go), to just turn turn turn away but he cannot. I love that about him – I love how quietly stubborn he is, how he insists on his principles, and I love that the world is cruel enough not to let him get away with them all the time (he says he will never kill but a day later he kills a man in battle to protect a comrade and the horror on his face just stays) but he still does not break, no matter how many psychic and physical wounds he acquires – instead the guilt and the issues spur him on (in a way, he lives as if he has to repay Susu’s gift in saving his life at the cost of her own – he spends his time paying forward the debt).
This drama gets incredibly dark (it really is a catalogue of horrors – what happens to both Xiao Chuan and Gao Yao – it does not have a rosy-eyed view of the past at all) but, oddly, it does not lose its funny spirit – Xiao Chuan’s tongue-in-cheekness is never fully repressed and occasionally pops out and there are other small moments.
This has become my favorite period drama. It is gorgeous, clever, passionate, complex. The love story is amazing but secondary to everything else, but it does not bother me. The characters are also complex and strong – both men and women. I really should meta about this but I am about to pass out, so for another day, perhaps.
Have a MV: